• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.
• Seven FM percussion voices that also buss together to create a single monolithic complex percussion synthesizer.
• Full mixer with pan, level, mute, and solo on each voice.
• Built-in stereo delay with X/Y pad control over feedback and filter frequency, for live playability.
• MIDI in and out, for driving Axon from DAW and hardware sequencers, or driving your drum rack or other samples from Axon.
• Internal transport for non-synchronized playback.
• Resizable vector-based user interface.
• Drawn reciprocation dingle arm to reduce sinusoidal depleneration.
• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings.

• Three Flexible Oscillators
Continuously variable morphing waveform, with warp, shape, and skew controls.
• Dual Morphing Filters
Filters can be used in serial or parallel modes, and morph from lowpass through bandpass and highpass to notch in 2-pole and 4-pole configurations.
• Noise Source
Noise source features a "color" control that affects tonal characteristics of the noise.
• ADSR x 2
Continua has two ADSR-style envelope generators, with curve on attack, decay, and release.
• Flexible Envelope Generator (FEG) x 2
The two FEGs are arbitrary function generators, with up to 99 steps, curve and step level control, arbitrary loop points, and host tempo sync.
• Flexible Low-Frequency Oscillator (FLFO) x 4
The four FLFOs utilize four controls (phase, shape, skew, and warp) to access a virtually limitless palette of waveforms, and feature host tempo sync and retrigger.
• Sample And Hold
The S&H mod source can sample noise (random) or any of the other mod sources, at either a user-defined rate or a musical division, and includes built-in smoothing and distance limit (for a "walk" effect).
• Modulation
Every knob in Continua is a mod destination, with a very fast and simple assignment matrix access with a right-click on the knob (double-tap on iOS).
• Tuning Tables And Global Tuning Offset
Re-tune Continua to new intonations and temperaments using the open-source and easy-to-use TUN file format. A global tuning offset (default to A=440) allows you to easily retune the entire synth to match a different A frequency without using a tuning table.
• MPE (MIDI Polyphonic Expression)
Continua understands both "legacy" MIDI and MPE. Use your Linnstrument, Roli Seaboard, Haken Continuum, Madrona Labs Soundplane, or Sensel Morph (among others) to directly access per-note pressure, pitch bend, and modulation.
• Per-Instance Settings
Continua utilizes a per-instance customization method: set MPE mode, aftertouch smoothing, pitch bend range override, tuning table, and global tuning offset for each instance in your DAW, with an option to save any state as your global starting point.
• Factory Presets
Continua comes with a substantial collection of factory content, including Designer Presets from Red Means Recording, Glitch Machines, and Sonalsystem.
• Cross-Platform Preset Format
Continua utilizes an XML-based preset manager. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell.
• Fully Resizable Hi-Dpi/Retina GUI
Continua's vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.

• Multi-Format Sample Loader
Quanta can load AIFF, WAV, Broadcast WAV, FLAC, MP3, and Ogg in any sample rate, bit depth, and channel configuration.
• Grain Engine
Up to 100 simultaneous grains per voice, of up to 1 second long, with control over grain rate, pitch, direction, shape, length, panning, source position, and level.
• Sidecar Oscillator
Continuously variable wave shape, with pulse width modulation, and independent control over pitch (separate from grain engine.) Can be injected directly into grain engine.
• Noise Source
Noise source features a "color" control that affects tonal characteristics of the noise. Can be injected directly into grain engine.
• Dual Multi-Mode Filters
Filters can be used in serial or parallel modes, and include lowpass, highpass, bandpass, and notch in 2-pole and 4-pole configurations.
• Flexible Envelope Generator (FEG) x 4
The four FEGs are arbitrary function generators, with up to 99 steps, curve and step level control, arbitrary loop points, and host tempo sync.
• Flexible Low-Frequency Oscillator (FLFO) x 2
The pair of FLFOs utilize four controls (phase, shape, skew, and warp) to access a virtually limitless palette of waveforms, and feature host tempo sync and retrigger.
• Sample And Hold
The S&H mod source can sample noise (random) or any of the other mod sources, at either a user-defined rate or a musical division.
• Modulation Matrix
Every mod and MIDI source can be easily and simply assigned to any destination using the quick-access bi-polar modulation matrix. Touch a destination on the UI and the matrix automatically scrolls to the correct row.
• Tuning Tables And Global Tuning Offset
Re-tune Quanta to new intonations and temperaments using the open-source and easy-to-use TUN file format. A global tuning offset (default to A=440) allows you to easily retune the entire synth to match a different A frequency without using a tuning table.
• MPE (MIDI Polyphonic Expression)
Quanta understands both "legacy" MIDI and MPE. Use your Linnstrument, Roli Seaboard, Haken Continuum, or Madrona Labs Soundplane (among others) to directly access per-note pressure, pitch bend, and modulation.
• Per-Instance Settings
Quanta utilizes a per-instance customization method: set MPE mode, aftertouch smoothing, pitch bend range override, tuning table, and global tuning offset for each instance in your DAW.
• Factory Presets
Quanta comes with a substantial collection of factory content, including Designer Presets from Marcus Fisher, Joseph Fraioli, Chris Carter, and Richard Devine.
• Cross-Platform Preset Format
Quanta utilizes an XML-based preset manager, and stores the sample within the preset for easy asset management. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell, no asset management required.
• Fully Resizable Hi-Dpi/Retina GUI
Quanta's vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.

• Simple-to-use reverb settings, with pre-delay, time, and size, plus an extensive filtering section to shape the reverb tail.
• Logical vintage-style user interface, vector-based for resizability and future-proofing.
• XML-based cross-platform preset manager, with copy and paste. (You can even move presets between the iOS version and the desktop version with Handoff.)
• Optimized reverb algorithm for low CPU load.

• Three Pitch Shifting Algorithms
Discord4's two pitch shifters feature with three unique algorithms (Vintage, Clean, and Granular) for different styles of pitch shifting
• Advanced Parameter Control
The pitch shifter algorithm's parameters are adjustable offering precise control over the pitch shifting effect. The P1 Vintage and P2 Clean algorithms have a Buffer size control ranging from 32 to 2048 samples. The G2 Granular algorithm allows the user to adjust the grain size, frequency and randomization.
• Modulation
Two of our new FLFO (Flexible Low-Frequency Oscillator) with tempo sync and an arbitrary waveform, capable of a nearly infinite number of modulation shapes using only three controls.
• Delay
Two tempo-synced or free-running delays with feedback, cross-feedback, and a sophisticated bandpass filter.
• Reverb
The delay's feedback path contains a simple stereo reverbfor "shimmer" effects and further sound exploration.
• True Stereo Operation
Discord4 features a true stereo signal path. Both channels can be controlled entirely independently or linked. Each channel's panorama position is adjustable, providing control over spatial positions and stereo width.
• Soft Saturation and Limiting
At different points in the signal path, saturation and limiting are employed for vintage-style warmth, and to allow for extreme feedback experiments without fear of overloading your DAW's channel.
• Mix control
Blend of the processed and the dry input signal.
• MIDI Note Control
Six octaves of pitch-shifting can be controlled with MIDI note input.
• Cross-Platform Preset Format
Discord4 utilizes an XML-based preset manager. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell.
• Fully Resizable Hi-Dpi/Retina GUI
Discord4's vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.

• Delay
Two tempo-synced or free-running delay lines with feedbackl
• Multiple Delay Modes
Dubstation 2 can be used as a single mono or stereo delay effect, in dual mode with separate controls for the left and right channels' delay times and in ping-pong mode.
• Classic Delay Algorithm
Dubstation 2 features Audio Damage's renowned model of bucket-brigade delay circuits, a faithful digital recreation of vintage hardware.
• Time Controls
The user can switch between two delay time ranges, encompassing 4 to 2000 milliseconds. Frequency-response characteristics vary with delay time - a fundamental aspect of the sonic personality of analog bucket-brigade delay circuits.
• Low-Frequency Oscillator
Delay time can be periodically altered with an LFO, producing changes in both the time between delayed signals and their apparent pitch.
Filters
Low-cut and high-cut filters with user-controlled cutoff frequencies in the delay path offer a wide range of timbres
• Saturation
Analogue-style saturation with an amount control allowing for distortion from the subtle to the extreme.
• Feedback
User-controllable feedback ranging from almost none to full feedback of the delayed signal back into the delay lines' inputs.
• Loop Mode
Causes Dubstation to endlessly play the audio currently in its delay line without alteration. Filter and saturation effects are applied to the output signal in Loop Mode.
• Reverse Mode
The Reverse switch makes Dubstation reverse the current contents of its delay memory and the direction in which it records.
• Mix control
Blend of the processed and the dry input signal.
• Gain Staging Contols
Input and output gain controls ranging from -80dB to +3dB.
• Cross-Platform Preset Format
Dubstation 2 utilizes an XML-based preset manager. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell.
• Fully Resizable Hi-Dpi/Retina GUI
Dubstation 2's vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.

• Full Automatic Looping Engine
Enso's looping engine is simple to learn, but exceedingly powerful, with "one button" looping control, both host-synced and free time.
• Dub In Place
Enso can either work like a traditional digital looper, where the input is mixed with the buffer contents, then sent to effects, or like a tape looper, where the effects and speed changes are included in the feedback path.
• Sector Crossfading
Define four different start and end points. Crossfade between them, and overdub or re-record within them.
• Effects Section
Enso has user-controllable "tape style" saturation and hiss, high- and low-pass filters, and a stereo chorus for thickening and carving your loop.
• Full MIDI CC Implementation
Enso has an assignable MIDI CC page for controlling most features of the looping engine. It is tuned for foot control, but will work with any MIDI CC source.
• Independent Play And Record Head Control
Both the play and record heads have a through-zero speed control, from -4x to +4x, with text entry values and selectable inc and dec values.
• Multi-Format Audio Loader
Enso can load AIFF, WAV, Broadcast WAV, FLAC, MP3, and Ogg in any sample rate, bit depth, and channel configuration.
• Buffer Save
Enso can save its buffer contents as a WAV file.
• Extra Long Loops
Enso can record or load up to 10 minutes of audio (5 minutes in iOS version) in Long Memory mode.
• Cross-Platform Preset Format
Enso utilizes an XML-based preset manager, and optionally stores the buffer within the preset for easy asset management. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell, no asset management required.
• Fully Resizable Hi-Dpi/Retina GUI
Enso's vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.

Choose!
Eos 2 состоит из четырех высококачественных алгоритмов реверберации, специально разработанных для нас ValhallaDSP с учетом современной производственной среды. Три разных имитатора пластин и алгоритм Superhall обеспечивают широкую палитру ароматов реверберации.
Control!
Благодаря полностью процедурному графическому интерфейсу с изменяемым размером, Eos предлагает сдержанную красоту и отличный пользовательский интерфейс, который адаптируется к вашим визуальным потребностям. С версией 2.1 Eos не только выглядит согласованным на всех платформах, но и его удобный менеджер предустановок позволяет вам использовать и делиться своими творениями на разных хостах и ​​устройствах. Просто работает.
Shape!
Органы управления Eos 2 помещают вас на место водителя. Хотите традиционный темный ревербератор? Эос может это сделать. Как насчет короткого плотного комнатного звука для барабанной установки? Не проблема. Eos действительно проявляет себя, когда вы добавляете Superhall на свои треки на пианино или синтезаторе. Невероятно длинные модулированные звуки зала в стиле Эно - вот где процветает Eos, что невозможно с глаголами свертки.
Filter!
Секция эквалайзера Eos 2 предлагает точный контроль над спектральным характером вашей реверберации. Добавление элементов управления кроссовером делает его алгоритмы более гибкими, чем когда-либо. От хирургических приспособлений до экспериментальных - все у вас под рукой. Хотите гулких басов и шипящих топов? Мы не говорим вам этого. Но вы можете!

• Twelve different filter algorithms, including MS20 emulation and our classic 914 bandpass and Filterpod lowpass models.
• VCA mode for tremolo and gate effects.
• LFO with twelve different patterns, and both internal and tempo sync modes.
• Envelope follower for dynamic control of filter frequency.
• Serial, parallel, and true stereo operating modes.
• Sidechain input for external signal to envelope follower.
• Easy-to use interface for quick programming.
• Vector-based resizable GUI.
• Cross-platform XML-based preset manager.

• Crossover: Kombinat Tri features a DJ-style three-band isolator EQ for band-killing effects and extreme tone-carving on the front end. This leads to the three distortion engines, which can be run in crossover (multi) mode, or in series.
• Multiple Distortion Types: Kombinat Tri has 13 different distortion and tone-shaping algorithms, and you can mix-and-match, with each of the three bands getting its own selector. From subtle tube-style clipping to the bizarre distorto-delay of the Nerd Rage algorithm, Kombinat Tri can cover all the bases without unnecessary complexity.
• Feedback: If the algorithms weren't enough, Kombinat Tri has an internal feedback control, tied to an envelope follower. Results may vary, but are always hairy.
• Filter: Kombinat Tri has 12 different filter topologies, from subtle 2-pole lowpass, through synth-style filters, to surgical notch. Several are self-resonant.
• One-Kontrol Kompressor: A favorite feature of the original Kombinat and Kombinat Dva, the one-knob compressor, tuned for collapsing distorted signals to roadkill, remains in Kombinat Tri.
• Mix Control: Kombinat Tri adds an oft-requested feature: a mix knob for better control over the signal path.
• Presets: Kombinat Tri includes a selection of presets from Kombinat and Kombinat Dva, some all-new presets to take advantage of the new features, and a selection of Designer presets from Ken Flux Pierce and Don Gunn.

• Perfect model of the original Bi-Phase, down to the response of the vactrols.
• The unobtanium Bi-Phase expression pedal is modeled as a separate parameter, for control by your favorite modulation source.
• 12-stage phasor option for each channel, in addition to the original 6-stage phasors.
• XML-based cross-platform preset manager, with copy and paste. (You can even move presets between the iOS version and the desktop version with Handoff.)
• Entirely vector-based resizable high-resolution user interface.

Shape!
Модуль поиска волновой таблицы Grind заменяет каждую входящую выборку на соответствующее значение из одной из 15 линейно-интерполированных волновых таблиц, выбранных с учетом их потенциала искажения. Размер окна и элементы управления фазой обеспечивают дополнительные возможности формирования тона.
Distort!
Одиннадцать уникальных алгоритмов искажения и насыщения, от простого насыщения с мягким перегибом до полного синусоидального искажения, лежат в основе алгоритмического модуля искажения Grind. Какого бы разрушения вы ни жаждали, у Гринда оно есть.
Filter!
Многорежимный фильтр Grind включает одиннадцать моделей фильтров на выбор, включая «старинные цифровые» версии с первых дней разработки плагинов и современные виртуально-аналоговые синтезаторные фильтры нижних и верхних частот в стиле MS20.
Modulate!
Начните работу с синхронизируемым с хостом низкочастотным генератором Grind! Анимируйте индекс волновой таблицы, частоту фильтра или и то, и другое, чтобы оживить этого монстра. От мягкого сглаживания фильтра до хаоса, связанного с формированием волны - мы вам поможем.

Mangleverb имеет обновленную версию алгоритма реверберации из давно умершего плагина Deverb, а также самую популярную модель аналогового фильтра Audio Damage, сложный LFO и повторитель огибающей, вход боковой цепи, полную секцию ввода / вывода и на всякий случай вы хотите заменить твитеры, ручка обратной связи:
• Простая в использовании алгоритмическая реверберация, которая может быть до или после фильтра / VCA.
• Модель чудовищного резонансного фильтра с режимами lowpass, bandpass и highpass и схемой возбуждения для грубых искажений.
• Сложный синхронизированный по темпу LFO с волновым формирователем для создания всех обычных (и некоторых необычных) форм модуляции.
• Повторитель огибающей с режимами внутреннего, LFO, боковой цепи и триггера MIDI.
• Путь обратной связи и модулированный VCA для окончательного приручения сигнала.

Возьмите наш классический жидкий флэнджер с нулевым проходом, многомодовый хорус Fluid, диффузионный хорус Vapor и частотный сдвигатель FreqShift (из нашей линейки оборудования Eurorack) и поместите их все в один плагин, и вы получите настоящую мощь стерео-вставки. модуляция.
FLANGER: Режим фленджера через ноль - это наш плагин Liquid во всей его красе, с контролем смещения Haas Effect и обратимой обратной связью для дополнительного расширения.
CHORUS: Режим хоруса, основанный на нашем оригинальном продукте хоруса, Fluid, позже расширенном до модуля Dimensions для Eurorack, имеет шесть линий задержки, модифицированных с разной скоростью для одного из самых толстых доступных стерео хорусов. Режим DIM-D делает то, что вы ожидаете, изменяя топологию в соответствии с этой почитаемой коробкой, но со всем контролем современного хоруса.
DIFFUSOR: наш плагин Vapor, воссозданный здесь как режим Diffusor, по сути, представляет собой блок диффузии из реверберации, переделанный, чтобы действовать как хорус. Секретное малое оружие многих производителей, этот режим - уникальный эффект, который будет вознагражден за эксперименты.
FREQSHIFT: один из наших самых популярных аппаратных модулей формата Eurorack, здесь тщательно переработанный для контекста DAW. Как только вы воспользуетесь этим режимом, слегка сместив пэды вверх, вы больше никогда не будете использовать ничего.
QuatroMod, доступный почти для всех современных форматов плагинов, представляет собой удобный универсальный магазин для всех ваших потребностей в модуляции. Благодаря векторному изменяемому размеру пользовательского интерфейса, масштабированию с поддержкой Retina и 4K и независимому от платформы механизму предустановок QuatroMod быстро станет вашим плагином для модов.

• Tempo-based delay and looping effects, from 1/128th note to an entire measure.
• Stutter adds further subdivisions, down to a 1/16384th note (otherwise known as a "tone".)
• Seven independant randomization controls, for subtle changes or extreme aleatoric madness, including a global randomize button.
• Our unique "Hold" feature, to store a random sequence you like.
• Resonant low-pass and high-pass filters that change over time.
• Pan position that changes over time.
• Two separate direction modes, for entire events or individual repeats, with randomization.
• MIDI Note or front panel triggering of loop events for live playing of effects.